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中国人口中占百分之八十的农民是中国社会的主体,从古到今农民的形象出现在文学、美术、音乐、舞蹈、影视各种文艺作品中,成为新中国文艺创新的主流。王宏剑的回话没有为中国农民创作图像历史的目的,没有对中国农民简单的批判或者赞美。对他而言,农民只是沉默的大多数,普通的中国人的一个象征和隐喻,他的艺术似乎更愿意以悲悯之心描绘天、地、人的关系,描绘黄土地黄河与中原众生的沧海桑田。好的艺术自然超越时代的同时也自然反映时代。
The peasants who make up 80 percent of China’s population are the main body of Chinese society. The image of peasants in ancient times has appeared in various works of literature and art, music, dance, film and television, and has become the mainstream of the innovation of literature and art in new China. The remarks of Wang Hongjian did not have the purpose of creating image history for Chinese peasants, nor did they simply criticize or compliment the Chinese peasants. For him, the peasantry was only a symbol of the silent majority and a common symbol of the Chinese people. His art seemed more willing to depict the relationship between heaven and earth and human beings in the heart of compassion and portray the sea of the Yellow River and the Central Plains . Good art of nature beyond the times naturally reflect the times.