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基础乐理是我们认识音乐的起点,是进入规范化、系统化音乐学习的第一步。然而我们这一代人所接触的基础乐理,似乎是在十二平均律的大伞的保护下而成长起来的学科,如果把十二平均律这个大前提拿掉,恐怕很多理论和概念都会失去严谨性,甚至是完全错误的定论。本文从纯律、三分损益律、五度相生律等不同律制中探讨音阶的发展及形成过程;从频率比、音分值等方面解释了音程构造的多样性;通过对均、宫、调三层含义的阐述揭示了我国调式调性的丰硕庞大的系统。
The basic music theory is the starting point for our understanding of music and the first step toward standardized and systematic music learning. However, the basic theory of music that our generation has come into contact with seems to have grown up under the umbrella of the Twelve Average Laws. If we take away the big prerequisite of the Twelve Mean Laws, I am afraid that many theories and concepts will lose their rigor Sexual, even totally wrong conclusion. This paper discusses the development and formation process of scale from different systems of law, such as pure law, third-loss law, fifth-degree law of birth, etc .; explains the structure of the interval from frequency ratio, The explanation of the meaning of the three layers reveals the huge and huge system of tonality in our country.