艺术的自主性和他律性问题成为探讨艺术的社会地位的主要范畴以来,很多人都从不同的视角对此作了阐述。本文欲图将艺术获得自律后与社会的关系作为切入点,着重探讨作为艺术自律主体的现代艺术是如何以其独立身份进入社会,从而实现干预的。 Since the question of art autonomy and other legal issues has become the major category for exploring the social status of art, many people have elaborated it from different perspectives. This article intends to take the relationship between art and society after self-discipline as an entry point and focuses on how modern art, as the main body of art self-regulation, enters the society with its own identity and thus intervenes.