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提起20世纪后半叶较有影响力的艺术家,不得不想到安迪·沃霍尔。安迪·沃霍尔就像一个行走的广告,他最伟大的作品不是他的绘画和电影,而是他自己,他把自己打造成了一个家喻户晓的后现代主义广告。《帝国大厦》:偶像的诞生1 964年5月,安迪·沃霍尔创造了一个由他主宰的世界他叫它“工厂”——那是纽约东区47大道上一处用银色包裹的废弃工作车间。“工厂”本身就是一件装置艺术品,这是在商业社会中的一座“艺术工厂”。它生产艺术品的速度堪比那些生产商品的流水线,短短几年的时间,这里产出了大
Mention more influential artists in the second half of the 20th century had to think of Andy Warhol. Andy Warhol is like a walking advertisement. His greatest work is not his paintings and movies, but himself. He has built himself into a well-known postmodern advertising. “The Empire State Building”: Birth of an Idol In May 1964, Andy Warhol created a world dominated by him. He called it “Factory.” - It was a silver wrap on 47th Avenue East, New York. Abandoned work shop. “Factory ” itself is a piece of installation art, which is an “art factory ” in a commercial society. It produces works of art at a rate comparable to those of the production of goods, just a few years time, here produced a large