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长时期以来,我国戏曲音乐的写作因受到西方音乐创作的强势冲击与影响,正逐渐失却传统艺术的本真魅力而陷入“一统戏歌”的尴尬境地。面临传统音乐文化如此严重流失的现象,著名音乐家郭祖荣先生为本刊撰写了题为《谈戏曲音乐的写作问题》等文章。刊出后,即刻在社会上引起了广泛的反响,尤其艺术界人士反应强烈,许多著名作曲家与音乐学家也就此问题做出了回应。戏曲音乐如何在保持传统风格的前提下,走出一条适合时代的创新之路?近日,本刊特邀请我省戏曲界部分专家、学者对此问题展开了热烈讨论。
For a long time, the writing of Chinese opera music is losing its true charm and falling into the awkward situation of “unifying drama” because of the strong impact and influence of western music creation. Faced with such a serious loss of traditional music culture, the famous musician Mr. Guo Zurong wrote an article entitled “Writing about opera music” and other articles. After its publication, it immediately aroused widespread repercussions in society. In particular, there was a strong reaction from the art world. Many famous composers and musicologists also responded to this question. On the premise of maintaining the traditional style of opera music, how to get out of a creative way suitable for the times? Recently, we invited some experts and scholars in the opera field in our province to hold heated discussions on this issue.