文学艺术,本是反映人类文明发展的记录。可是近半个世纪以来,人们对文学艺术的作用夸张到了无以复加的高度,以致最后形成“枪杆子,笔杆子,夺取政权靠这两杆子”之说,成为夺取政权的工具。于是文学艺术被喻为“阶级斗争的风向标”,文艺领域变成了“阶级斗争的风口浪尖”。社会上不断起伏的风暴,文艺界不仅首当其冲,而且往往是导火线。在文艺界内部,更是动辄小集团,今天我用“马列主义”整你,明天他用“马列主义”整我,反正整人的总是口含天宪,被整的人绝无分辩余地。近来偶重读姚文元的《评海瑞罢官》、《评陶铸的两本书》等文章,觉得满纸呓语,全是走狗仗势欺人的恶赖,可当时却是作为文件学习的,简直是梦寐。但只要稍回顾历史,就可知这风气并非突如其来,所谓“冰冻三尺,非一日之寒”。 Literature and art, this book is a reflection of the development of human civilization. However, people have exaggerated the role of literature and art in the past half century for the height of the art of literature and art, which eventually led to the formation of a tool to seize power by means of the “formation of a barrel of gun, a pen and a seizure of power by these two poles.” Literature and art were therefore called “the vane of class struggle,” and the field of literature and art became “the cusp of class struggle.” The constant ups and downs of society, literary and art circles are not only the first, and often the fuse. Today, I use “Marxism-Leninism” to correct you. Today I use “Marxism-Leninism” to rectify myself. Anyway, the whole person always has a natural voice. . Recently, Yao Wenyuan even read Yao Yuan << comment Hai Rui dismissed from office >> << << Taozhu two books >> and other articles, feel overwhelming, all the vicious dog abuse, but it was as a file to learn, is simply a dream. However, as long as we look back a little history, we can see that this trend is not sudden. The so-called “frozen three feet and not the cold one day.”