本文通过研究黄周星的曲论《制曲枝语》及其剧作《试官述怀》、《惜花报》、《人天乐》,认为他对曲体格律、功能、才性与风格等方面对曲学进行较为全面的审视,表现出他晚年的戏曲尊体意识。他的曲学尊体观点,是以诗学为参照体系建立起来的,处处强调曲的文体特征,在传奇向诗词趋同化的清初曲坛上具有一定地位和意义。 Through the study of Huang Zhouxing’s song theory Qu Zhi Zhi and its playwright, Huai Hua Bao and Ren Tian Le, he thinks that he is very interested in the style, function, talent and style of the song, Conducting a more comprehensive examination of music, showing his old age drama opera sense of respect. His viewpoints of consonance with music are established with reference to poetics. His stylistic features of the song are emphasized everywhere, and have a certain status and significance in the early Qing crooked verse where the legend converges to poetry.