“逸”作为一个重要的美学范畴,在唐宋时是以老庄思想为主,追求散逸适怀的文化品格;元明清则是以禅宗思想和审美态度的影响最为明显,力求清虚冲和为理想境地。佛道思想的这种混杂,在中国绘画史上一方面扩充了“逸格”的内涵,另一方面又强调作为人本因素的集合对于绘画本身的主宰。中国绘画的“逸格”从唐代开始就被赋予了 As an important category of aesthetics, “Yi ” is mainly based on Lao Zhuang ’s thought in the Tang and Song dynasties, pursuing indifferent cultural qualities. In the Yuan, Ming and Qing dynasties, the influence of Zen Buddhism and aesthetic attitudes is the most obvious, Dash and ideal for the situation. This mixture of Buddhist and Taoist ideas in the history of Chinese painting on the one hand expanded the meaning of “YAGE ”, on the other hand, emphasizes the domination of the painting itself as a collection of human factors. Chinese painting “Yige ” has been given since the Tang Dynasty