我们的时代是一个亚历山大大帝式的时代,一个充满镜子和镜像的时代,一个富有解读想象和参考文献泛滥的时代。在这个时代,有关格奥尔格·特拉克尔的研究资料同样汗牛充栋。他的作品乃是最纯粹的抒情诗,篇幅狭小,内容特别单一,大多带有悲观主义色彩,透出一种神话般的、神秘的美。这是一种“彼岸”之美,正是它把读者引入深不可测的深渊。单凭这一点,或许便足以解释特拉克尔的创作的魅力。从他英年早逝到一九六四年十一月三日,已经过去了半个世 Our time is an era of Alexander the Great, a time full of mirrors and mirrors, an age full of interpretations and references. In this day and age, the research data about Georg Tlalker equally full of experience. His works are the purest lyrical poems, which are narrower in length and of a very simple content, mostly with pessimistic colors and revealing a mythical and mysterious beauty. This is the beauty of the other side of the earth and it brings the reader into an unfathomable abyss. This alone may be enough to explain Trakl’s creative charm. Half a century has passed since his young wife passed away on November 3, 1964