目前发现的装饰有人物图像的先秦铜镜仅有五枚,其铸造年代均在战国晚期。被称为“狩猎纹镜”的四枚,它们的纹饰形态与其他文物以及文献记载上的狩猎场面不符,这些图像刻画的应当是古人驯化野兽以及人兽对峙的场景。长沙出土的三龙人物纹铜镜人物形象怪诞、方位特殊,从一个侧面展现出古楚先民浓厚的泛灵崇拜遗风。这些图像符号是古人敬畏自然、利用自然、征服自然的真实写照。 There are only five pre-Qin Bronze Mirrors that are currently found decorated with images of people, all of whose foundry ages are in the late Warring States period. Known as “hunting mirror ” four, their ornamentation patterns and other artifacts and documented hunting scene does not match, these images should be portrayed by the ancients domesticated beast and beast confrontation scene. Characterized by the bronze mirrors of the Three Dragons figures unearthed in Changsha, we can see the unique legacy of bronze mirrors of the ancient Chu ancestors. These image symbols are the true portrayal of the ancients respecting nature, using nature and conquering nature.