有一种流行于魏晋南北朝时期的神兽,它的基本特征十分明显,即火焰形肩饰和二趾三爪,这些均来自汉画传统,所以这种新的神兽形象是汉画传统发展的产物。这种神兽的造型是当时的流行画法,传统的乌获、雷公、屏翳等力士大神都采用这种形象。换言之,它不是某种特定的神兽。神兽的分布有地域的差别,汉魏之间神兽多出现于石刻和画像砖上,出现于壁画的创作则起始于北魏,发展并成为壁画的成熟题材是在东魏北齐时期。 There is a popular animal in the Wei, Jin and Southern and Northern Dynasties period, its basic characteristics are obvious, namely, flame-shaped shoulder and two-toe three claws, which are from the Han painting tradition, so this new animal image is the traditional development of Han painting . The shape of this animal is popular painting at that time, the traditional Wugu, Thunder, screen 翳 and other Luxurious gods have adopted this image. In other words, it is not a specific animal. There are geographical differences in the distribution of animal beasts, animal and beast between Han and Wei mostly appear in stone and portrait brick, appeared in the creation of murals began in the Northern Wei Dynasty, the development and become a mature theme of murals in the Eastern Wei and Northern Qi Dynasty.