《中国京剧》2009年第10期刊登的张国荣先生的文章《浅谈“收头”在京剧锣鼓点中的独特作用》(以下简称《浅谈》)一文,里面有几个论述,使我长了不少见识。例如说“收头”当尾声使用,我的恩师裴世长先生也曾教导过:如果折子戏多了,都打尾声太絮叨,可以打“收头”就不必打尾声了。这和《浅谈》一文中所 “Chinese Peking Opera” 2009 tenth issue published by Mr. Zhang Guorong article “talk” “head ” in the Beijing Opera percussion point of the unique role “(hereinafter referred to as” talk “), there are several statements, so that I have a lot of knowledge. For example, ”the head“ When the end of the use, my mentor Mr. Pei Shikong also taught: If the surgeries more, are playing too much tail, you can play ”head “ no need to fight the end. This and ”talk" in a text