1929年汉剧“福兴班”赴沪演出,相较新兴的京剧,汉剧的演出形式显得老旧,再加上演出策略不当,导致落败而归。“福兴班”回汉后虽仿效京剧进行了一系列的改革,但汉剧仍旧萎靡不振。汉剧的文化与艺术积淀相当深厚,曾与徽调一起孕育了京剧,但京剧崛起之后,汉剧的竞争力与辐射力明显不足,这一现象值得深思。 1929 Han drama “Fuxing class ” to Shanghai performance, compared to the emerging Peking Opera, Chinese opera appearance is old, plus improper performance strategy, leading to defeat. “Fuxing class ” although back to the Han Dynasty after Beijing Opera followed a series of reforms, but the Han drama is still malaise. The cultural and artistic accumulation of the Han drama is quite profound. It has given birth to the Peking Opera together with the emblem. However, after the rise of the Peking Opera, the competitiveness and radiation of the Han drama are obviously insufficient. This phenomenon is worth pondering.