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从上世纪80年代至今,中国的音乐学研究走过了近30年的历程,在学科建设、理论研究上已颇有建树,但是音乐学的跨学科研究领域并没有全面展开。本文尝试从音乐学的三个相关姊妹学科——舞蹈、美术和电影与音乐的关系为出发点,作出相应的理论分析及阐述。本文认为只有跨学科的视野才能对音乐学本身作出更全面、更客观、更深入的研究。
Since the 1980s till now, Chinese musicology research has gone through nearly 30 years of history and has made considerable achievements in discipline construction and theoretical research. However, the interdisciplinary field of musicology is not fully developed. This article attempts to make the corresponding theoretical analysis and elaboration from the three related syllabus of musicology - dance, art and film and music. This paper argues that only interdisciplinary horizons can make a more comprehensive, objective and in-depth study of musicology itself.