从人性的角度理解阿瑟·米勒的戏剧,会发现阿瑟·米功的《萨勒姆的女巫》紧扣由原始思维逻辑所形成的“谬论”展开戏剧冲突,展现了萨勒姆镇荒谬地赋予一群无知、无畏的小女孩命名的特权,将“谬论”当作法律,审判、惩罚无辜平民,从而深刻揭示出人类自身思维的局限性和由此而导致的人性堕落与良知犹在之间的冲突,警示人们拔除心中的魔障,从神性和兽性的诱惑中走出来,在人性的回归中提升人的生命的境界。 To understand Arthur Miller’s drama from a human perspective, we can see that Arthur M. Gong’s “The Witch of Salem” closely matches the “fallacy” formed by the primitive thinking logic to show the drama conflict. The town absurdly gives a group of ignorant and fearless little girls the privilege of naming. The “fallacy” is treated as a law, judging and punishing innocent civilians, thereby profoundly revealing the limitations of human self-thinking and the consequent depravity of human nature Conflicts with the conscience still remind people to remove the magic barrier in their hearts and to get out of the temptation of divinity and bestiality to elevate the realm of human life in the return of human nature.