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本文从比较的角度,对《尘埃落定》与《额尔古纳河右岸》在创作身份、视点人物等方面的内容进行分析;希冀在体味二者独特的艺术表现之同时,钩沉出文本背后所沉潜的关于边地族群的精神实质。
This article analyzes the contents of “Dust Settlement” and “The Right Bank of Ergun River” in terms of creative identities and perspectives from a comparative perspective. I hope to appreciate the unique artistic expression of both and at the same time, Submerged about the spiritual essence of the frontier groups.