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《南渡记》和《东藏记》取材于大学校园和宁静的书香庭院之间;生成于时代大格局、大气派和日常生活、个人价值之间;搭建于中国文学传统与西方现代主义文学精华的桥梁之间,宗璞先生力图在与历史拉开一定空间的年代,以一位有责任感的知识分子的慧眼对那段浸满鲜血的历史进行全新的描绘和反思,展现中华民族不屈不挠的民族气质以及在国家危亡时刻战争中的人艰辛的成长。
“Nandu” and “Eastern Tibet” are drawn from the campus of university and quiet courtyard of the book of incense. They are formed between the grand pattern of the times, the style of the atmosphere, the daily life and the individual values. They are built on the tradition of Chinese literature and Western modernism The essence of the bridge between, Zong Pu attempts to open up a certain space with the history of the era, to a responsible intellectuals of the eye that part of the blood soaked history a new description and reflection, show the Chinese nation indomitable National temperament and the hardships of people in the war on the nation’s crisis.