田原牧歌式的主题,抒情诗一样的意境,开放深邃响亮的色彩,灰调子里的兼工带写,这就是范小平的风景画的学术思想的概括。我和范小平先生接触是在二十年前,他任德阳市博物馆馆长期间,我到访过该馆。那时只知道他对孔庙很有研究。后来在《美术研究》《美术史论》《美术观察》《艺术探索》《美术》《东亚研究》等高层次学 Tian Yuan’s idolatry theme, lyric poetic mood, open deep and loud color, and concurrent work band writing in gray tone are the generalizations of academic thought of Fan Xiaoping’s landscape painting. When I was in touch with Mr. Fan Xiaoping, I visited the museum twenty years ago when he was the museum director of Deyang City. At that time, I only knew that he studied the Confucius Temple very well. Later in the “art research” “history of art” “art observation” “art exploration” “art” “East Asia Studies” and other high-level learning