元人小令《天净沙·秋思》历来得到极高的评价,周德清目为“元人之冠”、“秋思之宜”,《顾曲麈谈》更是将它看作“直空今古”的作品,王国维也认为“深得唐人绝句妙境”,“纯是天籁,仿佛唐人绝句”,等等.今人受前贤影响,对这首小令也钟爱有加,对它在艺术上的成就多有论述,但也指出它在思想上的低沉为美中不足.然而,综观这些评论,基本上都承袭王国维的意境说,通用的语言是:“这首小令把一系列极富特征的景物集中到一起,描绘了一幅萧瑟苍凉的深秋晚景图,全曲以景寓情,情景交融,笔墨精练,真切地表现出天涯游子怅惘、愁苦的心境.”这些表达内容当然并没有错,但是除了令人感叹学人面孔的千篇一律外,我看还得拿出古人好学不倦的劲头问一声:仅此而已吗?(一)象征手法与三重否定中国诗歌的象征主义可谓源远流长,从《诗经》、《楚辞》起从来就没有断过它的血脉.然而今人在论及《秋思》时,却几乎无一例外地掉进了意境说的黑洞中,却忘记了从前充斥着政治性意象时那么愿意谈及的象征主义.我们且来看小令前三句所形成的三个画面:这九种意象三三一组,随着自然的分割形成三组意象,尽管这三组意象最终被统一起来,但每组意象里的景物空间、语义特征都相对集中和统一,从而明显区别于其它两组意象.因此,尽管读者可以认为 Yuan Xiaozhuang “Tianjing Sha · autumn thinking” has always been highly praised, Zhou Deqing as “the crown champion”, “autumn thinking of the appropriate”, “Gu Qu 麈 Tan” is to think of it as “straight empty Today’s ancient ”works, Wang Guowei also believes that“ Wonders of the Tang Dynasty quatrains wonderland ”,“ Pure is Teana, as if the Chinese quatrains ”, etc. Today people affected by the former Yin, the first small order also beloved, it There are many achievements in art, but it is also pointed out that it is inadequate in thinking. However, when we review these comments, we basically inherit the artistic conception of Wang Guowei. The common language is: “The first order makes a series of Extremely characteristic scenery together, depicting a bleak desolate late autumn night landscape, the whole song to King and love, the scene blend, the pen scouring, truly show wandering wandering sad mood. ”These expressions of course There is nothing wrong, but in addition to sighing the stereotyped faces of scholars, I think we have to come up with the ancients’ enthusiasm and tirelessness to ask: Is that nothing more? Symbolism and Triple Negation Symbolism in Chinese poetry goes back to ancient times , From the “Book of Songs”, “Chu” since Did not break its bloodline.However, in today’s discussion of “Autumn Thoughts”, but almost invariably fell into the black hole of the mood, but forgotten so full of political image so willing to talk about the symbolism We will also look at the three pictures formed by the first three sentences of Xiao Ling: the three images of the three groups, with the division of nature into three groups of images. Although these three groups of images are ultimately unified, each group of images In the scene space, semantic features are relatively concentrated and unified, which is clearly different from the other two groups of images.Therefore, although the reader can think