一河车滚滚过三关,搬运琼花不敢闲补满泥丸宫里去,逍遥归上玉京山元明时期,是传统文人画发展的一个高峰。自赵孟(?)高标以古为上、书法入画的审美趣味,元四家确立文人画之正宗统脉,明吴门融书画而成就文人生活,诸家既一脉相承,又各有其美。在传统的文人画研究中,作品在笔墨技法和画史意义上的溯源,往往成为研究重点;然而,学者 A river car rolled off three times, moving Qionghua dare not fill up the mud pill Palace, go back to Yu Jing Jingshan Yuanming period, is the development of traditional literati painting a peak. Since Zhao Meng (?) The highest standard of ancient as the calligraphy into the aesthetic taste of the painting, the four established four literati paintings of the authentic arteries, Ming Wumeng painting and calligraphy achievements of literati life, all the same strain, but also have their own beauty . In the study of traditional literati paintings, the origin of the works in the sense of brushwork and painting history often becomes the research focus; however, scholars