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2014年的华语电影业,披着一层炫目的金色光芒,直逼300亿的票房巨幕下,充斥着“有钱就是任性”的标语和口号,有无数人被光芒吸引过来,挥舞着手中的支票簿,以为自己拿到了万能的通行证。可有钱是真,任性却是假无论是以BAT为首的互联网巨头,还是从渐趋冷淡的行业里迅疾抽身的温州炒房团和山西煤老板,电影,不过是一串串漂浮在空中的数字。与其说他们在观摩一部银幕上的电影,不如说是在仰望一块巨幕上浮现的指数行情。在行业体量与利润增长以等量齐观的惊人加速度疯狂冲刺时,这是资本的本能与天性。任性,却是截然不同的另一回事。任性,应该是一个艺术家绝不为资本家操心的从容与自信,是一个电影人忠于自我的探索与表达,是一种文化宠辱不惊的自持与风骨。遗憾的是,我们缺乏这样的张狂与偏执。因此,我们的电影总是看着像一个做工粗陋又没有灵魂的玩偶,留下来的,只是层出不穷的乱象与模棱两可的面孔。在这全新一年的开始,我们试着还原它本来的样子。
2014 Chinese film industry, dressed in a layer of dazzling golden light, almost equal to 30 billion box office screen, filled with “money is wayward ” slogan and slogan, there are countless people were attracted to light, waving In the checkbook, thought he got a universal pass. May have money is true, but wayward is fake Whether BAT-led Internet giants, or from the increasingly cold industry in Wenzhou, withdrawing swiftly real estate speculators and Shanxi coal bosses, movies, but a string of floating in the air digital. Instead of watching a movie on the screen, they are looking for an index market that looks up on a giant screen. This is the instinct and nature of capital when the mass and profit growth of the industry frenzied sporadically at staggering accelerations of the same amount. Self-willed, but it is quite different from another thing. Self-willed, should be a calm and confident artists will never worry about for the capitalist, is a movie loyal to the exploration and expression of self, is a kind of cultural humiliation and self-sustaining style. Unfortunately, we lack such insolence and paranoid. Therefore, our films always look like a doll with poor workmanship and no soul, leaving behind only an endless stream of chaotic and ambiguous faces. At the beginning of this new year, we try to restore its original appearance.