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在诸多文学史的书写中,因缺乏对真实历史背景的了解,对作家作品“误读”、“误写”的现象至今仍不可避免,仅就路易士而言,在文学史的书写中就存在这一问题。路易士是活跃于上世纪三四十年代的一个诗人,因参加大东亚文学会、写过汉奸作品①等因素,自20世纪40年代被指为“文化汉奸”以来,这一点就不断被研究者讨论并写入史册。其中,研究者多提到路易士的《巨人之死》《炸吧,炸吧》等诗,如陈青生的《抗战时期的上海文学》、
In the writing of many literary histories, because of the lack of understanding of the true historical background, the phenomenon of “misreading” and “mistaken writing” by writers is still inevitable. Only in the case of Louis, This problem exists in the writing. Louis is a poet who was active in the 1930s and 1940s. Since joining the Great East Asian Literary Society and writing on traitors and other factors, since the 1940s he was accused of being a “cultural traitor” Be discussed by researchers and written in history. Among them, the researchers mentioned Louis’s “Death of the Giant” and “Fry Bar, Fried Bar” poems, such as Chen Qingsheng’s “Shanghai Literature during the Anti-Japanese War”