“谁知道角落这个地方?爱情已经把它轻轻遗忘……”每次听到朱明瑛演唱这支电影插曲,我的心都会感到震颤。如今,在舞台上又响起这支插曲的旋律,把我们重新带回那个僻壤穷乡的“角落”,那个被爱情遗忘的年代。我指的是魏明伦、南国新作的川剧《岁岁重阳》。它与影片都以张弦的同一篇小说为蓝本,却独辟蹊径,以戏曲特有的魅力,强烈地震动了我们的心。这个戏打破了一人一事贯穿始终的传统的戏曲概念,让两对互相关联的男女主角分别支撑前半部戏和后半部戏。全剧分为上下两篇,上篇为《姐姐和哥哥》,下篇曰《妹妹和弟弟》。这样的处理,可称为“双连环结构”。剧中兄弟二人由一人扮演,姐妹二人也由一人扮演,构成了两个爱情故事。一人多角,川剧本有这种“串角”的手法,但以多角相继为主, “Who knows the corner of this place? Love has forgotten it ... ...” Every time I heard Zhu Mingying singing this episode of the movie, my heart will feel trembling. Now, on the stage, the melody of this episode sounded again, bringing us back to the “corner” of the secluded towns in that secluded place, the era forgotten by love. I mean Wei Minglun, the new southern Sichuan opera “heavy age Chongyang.” It is based on the same novel of Zhang Xian as the film, but it is unique in its own unique style. It strongly shocks our hearts. This play breaks the traditional one-man concept of traditional drama, with the two male and female interrelated actors supporting the first half and the second half, respectively. The whole play is divided into two parts, the first part is “sister and brother,” the next chapter, “sister and brother.” This process can be called “double-loop structure.” The play two brothers played by one person, the two sisters also played by one person, constitute two love stories. One person multi-angle, Sichuan opera has such a “string angle” approach, but in order to multi-angle,