鉴于近年演出剧目贫乏,为符合群众爱看喜剧的心理,我们在今年新年到春节期间,先后在北京举办两次京剧丑角戏专场。4场演出中,共发掘出久已不见于舞台的“玩笑戏”10数出。其中有的戏已阔别舞台40年之久。由于戏出名而少见,演员出名又不易有机会合作,再加上属于逗乐的戏,从而引起轰动性的演出效果。许多内外行观众一致认为:这样的戏应该多演演,符合大家的希望,有利京剧繁荣。丰富上演剧目有利活跃舞台近些年京剧上座不佳,剧目贫乏是主要原因之一。国际友人中的京剧爱好者对于总是有数的几出戏翻来覆去演,说:“如今演出的不是‘样板戏’了,是样品戏!”国内人士编出“打油诗”,曰:“跑不完的《红鬃烈马》,贺不完的《龙凤呈祥》;四郎终朝去《探母》,苏三不断得过堂;白蛇日日《盗仙 In view of the paucity of theatrical performances in recent years, in line with the psychology of the masses who love to watch comedies, we held two special occasions for the Peking Opera in Beijing during the Spring Festival this year. In the four performances, a total of 10 jokes were discovered out of the stage. Some of these shows have been away from the stage for 40 years. Due to the notoriety of the play, rare and famous actors are not likely to have the opportunity to cooperate, coupled with amusement of the play, which caused a sensational performance. Many insiders and outsiders agree that this kind of play should be performed in many ways to meet the hopes of everyone and to facilitate the prosperity of Peking Opera. Rich Stage Repertory Benefiting an Active Stage In recent years, Beijing opera is in poor condition and the drama is poor, which is one of the main reasons. Beijing Opera enthusiasts from all over the world are always playing a few plays for the show, saying: “Today’s show is not a model show. It’s a sample play!” Of the “red mane Lielie” He endless endless “Longfeng Chengxiang”; Shiro finally go to “explore the mother”, Susan have been Tong;