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本文拟在运用萨义德的东方主义理论分析毛姆在《彩色的面纱》中所体现的东方主义殖民话语和东方情节。通过作者对西方人自居为主体的他者建构,暴露了毛姆内心深处的东方主义思想,也颠覆和撕去毛姆“友善”的标签,揭开他内心深处东方主义的“面纱”。
This thesis intends to analyze the orientalist colonial discourse and oriental plot embodied by Maugham in “Color Veil” by using Said’s Orientalist theory. Through the author’s construction of the Westerners as the main body of others, exposing Maumoun’s deep Eastern thought, but also subvert and tear off the label of “Maugham”, opened his heart deep Orientalism “veil”.